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Boogie Down Productions ~ Essays On Bdp-Ism


Verse 1 Am I supposed to stand here? These bright lights, I'll probably get a tan here Scott, turn up the master So I can hear, and talk faster I'm the Blastmaster, cos I'm blasted I know a lot of y'all are shocked that I've lasted But Blastmaster is a subtitle KRS ONE is more vital And more lethal and more vicious As the suckers always say, "He just dissed us! He got a problem, yo, he's conceited" I'm not conceited, they just couldn't beat it Cos when I'm in a club I like to mingle Seconds later they're playin' that single Loud as a collision and pumped up dramatically So the people in the place will automatically Time it, and dance right behind it Those that have it on tape will rewind it It's not surprising, we rock parties Anywhere, anyone, anybody Some sound shoddy, like cardboard But I'm blessed, praise the lord You see I like to study, I like money I like eatin' wheat bread with honey more free lyrics

Verse 1

Am I supposed to stand here?
These bright lights, I'll probably get a tan here
Scott, turn up the master
So I can hear, and talk faster
I'm the Blastmaster, cos I'm blasted
I know a lot of y'all are shocked that I've lasted
But Blastmaster is a subtitle
KRS ONE is more vital
And more lethal and more vicious
As the suckers always say, "He just dissed us!
He got a problem, yo, he's conceited"
I'm not conceited, they just couldn't beat it
Cos when I'm in a club I like to mingle
Seconds later they're playin' that single
Loud as a collision and pumped up dramatically
So the people in the place will automatically
Time it, and dance right behind it
Those that have it on tape will rewind it
It's not surprising, we rock parties
Anywhere, anyone, anybody
Some sound shoddy, like cardboard
But I'm blessed, praise the lord
You see I like to study, I like money
I like eatin' wheat bread with honey

more free lyrics

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

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The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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