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Björk ~ In The Musicals


Why do I love it so much? What kind of magic is this? How come I can't help adore it? It's just another musical No one minds it at all If I'm having a ball This is a musical And there is always someone to catch me There is always someone to catch me There is always someone to catch me There is always someone to catch me When I'd fall Why do I love you so much? What kind of magic is this? How come I can't help adore you? You are in a musical I didn't mind it at all You were having a ball This is a musical And you were always there to catch me You were always there to catch me You were always there to catch me You were always there to catch me When I'd fall I don't mind it at all If you're having a ball This is a musical And I'll always be there to catch you I will always be there to catch you I'll always be there to catch you I will always be there to catch you You always be there to catch me And there's always someone to catch me You always be there to catch me You always there to catch me When I'd fall 107 steps 31, 35, 38, 42 ... 48, 51, 54, 58 ... 64, 68, 69, 75 ... 79, 83, 86, 89 ... 93, 107 steps more free lyrics

Why do I love it so much?
What kind of magic is this?
How come I can't help adore it?
It's just another musical
No one minds it at all
If I'm having a ball
This is a musical
And there is always someone to catch me
There is always someone to catch me
There is always someone to catch me
There is always someone to catch me
When I'd fall
Why do I love you so much?
What kind of magic is this?

How come I can't help adore you?
You are in a musical

I didn't mind it at all
You were having a ball
This is a musical
And you were always there to catch me
You were always there to catch me
You were always there to catch me
You were always there to catch me
When I'd fall
I don't mind it at all
If you're having a ball
This is a musical
And I'll always be there to catch you
I will always be there to catch you
I'll always be there to catch you
I will always be there to catch you
You always be there to catch me
And there's always someone to catch me
You always be there to catch me
You always there to catch me
When I'd fall
107 steps
31, 35, 38, 42 ...
48, 51, 54, 58 ...
64, 68, 69, 75 ...
79, 83, 86, 89 ...
93, 107 steps

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

We Create Together

The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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