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Beastie Boys ~ 3 The Hard Way


Fresh dressed 'cause I shop at Models Deep in Brooklyn I ride the elevated trains Used to ride the D to beat the morning bell At Edward R. Morrow out on Ave L We be grillin' cheese and flippin' flapjacks With the diamond stylus we cutting wax We're the super elastic bubble plastic Got ethereal material that's straight up classic You try to vex reject but you should respect Or we'll have JC send you out a FedEx * 1 So don't start to flex up in the discotheque Or we'll make you extinct tyrannosaurus rex We're gonna rock this motherfucker like three the hard way Your rhyme technique, it is antique To all my heads Qu'est-ce-que tu fabriques? Que cosa fai? Come sta e? Ho fato molte telefonate Oops gotcha clutch like Plazza Sneak between the sheets so hide like matzoh Holler back challah bread... next We are the crew who put the crew in Cruex I can see that Def Jam doesn't recognize me I'm Mike D the one who put the satin in your panties Time to count MC's in this place to be Not five, not four, not two, just three We're gonna rock this motherfucker like three the hard way Round-house kick the mic out your hand Drunken mantis, my name brand So if you're slick with the tricks and the slight of hand I'm hip top the shit that you're trying to scam Gnip Gnop I got shit to pop I'm an exceptional professional that just don't stop So pack up your bag and your mic and don't wait E.T. phone home now get the fuck out my face You know we shake'em bake'em then we take'em Treat MCs like leaves go out and rake'em If you sell our CDs on Canal before we make'em Then we will have no alternative but to serve you on a platter like Steak'Em We're gonna rock this motherfucker like three the hard way more free lyrics

Fresh dressed 'cause I shop at Models
Deep in Brooklyn I ride the elevated trains
Used to ride the D to beat the morning bell
At Edward R. Morrow out on Ave L
We be grillin' cheese and flippin' flapjacks
With the diamond stylus we cutting wax
We're the super elastic bubble plastic
Got ethereal material that's straight up classic
You try to vex reject but you should respect
Or we'll have JC send you out a FedEx * 1
So don't start to flex up in the discotheque
Or we'll make you extinct tyrannosaurus rex

We're gonna rock this motherfucker like three the hard way

Your rhyme technique, it is antique
To all my heads Qu'est-ce-que tu fabriques?
Que cosa fai? Come sta e?
Ho fato molte telefonate
Oops gotcha clutch like Plazza
Sneak between the sheets so hide like matzoh
Holler back challah bread... next
We are the crew who put the crew in Cruex
I can see that Def Jam doesn't recognize me
I'm Mike D the one who put the satin in your panties
Time to count MC's in this place to be
Not five, not four, not two, just three

We're gonna rock this motherfucker like three the hard way

Round-house kick the mic out your hand
Drunken mantis, my name brand
So if you're slick with the tricks and the slight of hand
I'm hip top the shit that you're trying to scam
Gnip Gnop I got shit to pop
I'm an exceptional professional that just don't stop
So pack up your bag and your mic and don't wait
E.T. phone home now get the fuck out my face
You know we shake'em bake'em then we take'em
Treat MCs like leaves go out and rake'em
If you sell our CDs on Canal before we make'em
Then we will have no alternative but to serve you
on a platter like Steak'Em

We're gonna rock this motherfucker like three the hard way

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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