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Allman Brothers Band, The ~ Angeline


By dickey betts, mike lawler and johnny cobb (c) 1980 emi blackwood music inc., pangola publishing company and Milene music, inc. Ridin' in a long gray limousine. Sittin' in a pair of hundred dollar jeans. Tryin' to talk sense to a rock'n'roll queen. Damn, best kinda livin' anybody ever seen. Oh, angeline. Chorus: Lookin' at the bright lights, searchin' for the sliver screen. I never seen a woman who could look so good, And be so doggone mean. yeah. Oh, midnight struttin' in new york city. Midnight woman, she is lookin' so pretty. Her little heart beat in rhythm with the world. She used to be her mama's little girl. Hey, hey angeline. Chorus Whoa, just a game that she loves to play, Leavin' broken hearts all along the way. She's got friends that she ain't never used. She's winnin' now but she's bound to lose. Oh, angeline. Chorus more free lyrics

By dickey betts, mike lawler and johnny cobb
(c) 1980 emi blackwood music inc., pangola publishing company and
Milene music, inc.

Ridin' in a long gray limousine.
Sittin' in a pair of hundred dollar jeans.
Tryin' to talk sense to a rock'n'roll queen.
Damn, best kinda livin' anybody ever seen.
Oh, angeline.
Chorus:
Lookin' at the bright lights, searchin' for the sliver screen.
I never seen a woman who could look so good,
And be so doggone mean. yeah.
Oh, midnight struttin' in new york city.
Midnight woman, she is lookin' so pretty.
Her little heart beat in rhythm with the world.
She used to be her mama's little girl.
Hey, hey angeline.
Chorus
Whoa, just a game that she loves to play,
Leavin' broken hearts all along the way.
She's got friends that she ain't never used.
She's winnin' now but she's bound to lose.
Oh, angeline.
Chorus

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The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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