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ABBA ~ Elaine


You hate You scream You swear And still you never reach them You curse You try to scare But you can never teach them It's a dead-end street They've tied your hands And tied your feet And the street is narrow A nowhere lane A nowhere train for Elaine, Elaine, Elaine Elaine, Elaine, Elaine You know they're gonna get you You try to break away But they will never let you It's a dead-end street They've tied your hands And tied your feet And the street is narrow A nowhere lane A nowhere train for Elaine, Elaine, Elaine Elaine, Elaine, Elaine You're like a goldfish in a bowl Elaine, Elaine, Elaine They have your mind They'll take your soul You come You stay You go It really doesn't matter You've done it all before By now they know the pattern It's a dead-end street They've tied your hands And tied your feet And the street is narrow A nowhere lane A nowhere train for Elaine, Elaine, Elaine more free lyrics

You hate
You scream
You swear
And still you never reach them
You curse
You try to scare
But you can never teach them

It's a dead-end street
They've tied your hands
And tied your feet
And the street is narrow
A nowhere lane
A nowhere train for
Elaine, Elaine, Elaine

Elaine, Elaine, Elaine
You know they're gonna get you
You try to break away
But they will never let you

It's a dead-end street
They've tied your hands
And tied your feet
And the street is narrow
A nowhere lane
A nowhere train for
Elaine, Elaine, Elaine

Elaine, Elaine, Elaine
You're like a goldfish in a bowl
Elaine, Elaine, Elaine
They have your mind
They'll take your soul

You come
You stay
You go
It really doesn't matter
You've done it all before
By now they know the pattern

It's a dead-end street
They've tied your hands
And tied your feet
And the street is narrow
A nowhere lane
A nowhere train for
Elaine, Elaine, Elaine

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Globalized Sounds

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

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